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Issue 009 – March/April 2009


Buy for $.79

 

Key Moments

by Olga Zilberbourg

1

"I FEEL NOTHING," Aisha thought, letting go of the ropes as her swing approached its maximum height. “I touch nothing.”

But she didn’t launch into flight. She didn’t even fall to the ground. Instead, she remained firmly attached to the wooden board as it swung backwards between the two pine trees and over the patch of wildflowers, dandelions and forget-me-nots. Holding her arms straight into the air outside of the ropes, her legs tightly tucked underneath the board and bare feet touching the rough wood, Aisha closed her eyes until she swung upwards again.

“I touch nothing. I feel nothing,” she whispered, relaxing her legs into free flight and releasing her eyes to the blue of the sky. She let her mouth open wide and breathed in as deeply as possible, into the pain in her stomach, into the tingling in her fingertips. She flew higher and higher, then down again, back towards the patch of dandelions in front of her grandmother’s house. Aisha closed her eyes to not see the flowers’ approach, working her legs to get more speed. At the top of the reverse trajectory, she shuddered from a vivid premonition of her grandmother’s shrill voice recalling her back to the world of afternoon chores.

“Hands off! No more touching!” Aisha swallowed the words as she dissected the warm, fragrant air, accelerating full speed ahead into the ground and then back up into the light blue, cloudless sky that could not hold her.

2

In the middle of the night, Aisha woke with uncomfortable sensations. Her mouth was completely dry, her lips cracked and peeling. She lay in bed for a few minutes, biting her lips and tongue to induce salivation, hoping the frightening, unfamiliar sensation would go away on its own. But the thirst lived in her tearless, itching eyes, her throat spasmed from dehydration, and her stomach ached for water. Moving gingerly, like a snail coming out of her shell, aware that even the slightest noise would alert her grandmother, wheezing uncomfortably in her high and narrow bed by the door, Aisha pushed the heavy pressed cotton wool blanket to the foot of the bed and moved her feet to the floor. When she stood up, the old wooden floorboards creaked slightly underneath their linoleum covering, and her grandmother’s obstructed breathing turned into a light cough. Aisha froze in mid-movement, her body waiting for a thundering command from that corner, but none came, and the cough resolved into a deep snore.

Holding her breath, so as not to disturb the stillness of the air, Aisha crept by her grandmother’s bed and paused for a moment in front of the heavy wooden door, her hand getting used to the shape of the metal handle. When her hand grew sufficiently steady, she silently pushed the door open a few inches, and slipped through the narrow slit onto the terrace. Only after closing the door tightly behind her, she breathed again, experiencing with sharp pleasure the coolness of the air, the floor, and every surface she tried not to touch.

The large water bucket she replenished every evening stood on a wooden base by the front door. Aisha grabbed the metal dipper hanging on the wall above the bucket and filled it to the rim with the ice-cold spring water. She paused for a moment before drinking it, as if getting ready to do something dangerous, explosive. Then she drank it all in one long gulp, leaning over the bucket and letting half of the burning liquid stream down her chin and back where it came from, wetting her nightgown and the floor around her. The water seemed to set her body on fire, the blaze spreading from her tongue to throat and the stomach. It reached inside every cell, from her hair down to her toenails, without satisfying the underlying thirst, leaving Aisha only with desire for more, much more.

Aisha whispered into the water, filling the dipper the second time and emptying it past her mouth, past her arms and breasts, past her belly, past her legs, back into the bucket. She reached for the water with her tongue, stretching out her lips as wide as she could, but the dipper was empty again. She filled it twice more, emptying it slower and slower each time, but to no avail. The water would not reach inside, would not touch her. The sight and sound of its flow only increased her thirst.

“What are you doing out there?” croaked her grandmother from behind the tightly shut door, her voice hoarse from sleep, her words accented by the missing dentures. “Go back to bed!”

3

He moved on top of her in the ashen dusk of their candlelit bedroom. He moved without pause, his penis reaching deep inside her small, muscular body, his lips patiently teasing the sensitive skin around the nipple of her left breast. Aisha trembled from the effort not to flex a single muscle, not to shift, stir, or change anything, to remain completely in tune with his movement. She was going to come … she was going to come … and then it was gone. She could never tell exactly what happened, an irregular flicker of the candle, a barking of one of the neighbor’s dogs, a car alarm going off somewhere down the street, an imperceptible tremor somewhere deep in the folds of the bedrock beneath them, a fierce meteor shower on the surface of a distant moon. What was it that suddenly turned desire into revulsion, intimacy into invasion, the gentleness of her husband’s arms into an unbearable, suffocating grip?

“Stop,” she said, suddenly struggling against him. “Stop it. Don’t touch me.”

Having been married for ten-something years, Aisha knew that she had to exercise patience as her husband, who had been steered by the inertia of the rhythmical and titillating movement, did not, could not instantaneously react to the change in her attitude.

“Patience,” she thought the word painfully, feeling angry before the end of the second syllable.

“I can’t! I can’t do it!” yelled Aisha, now struggling, pushing his heavy, perspiring body with her hands and knees. Moving erratically and violently, she somehow scrambled out of the bed, turning over the nightstand with the alarm clock, a glass of water, and the candle with it, ran out into the hall, down the stairs, out of the front door, into the blind little alley that stared at her naked body with its hundred double-pane windows. She saw immediately — it was a trap, a cage, a grave, a coffin, with no air to breathe and no space to be in. She spread her arms out, trying to feel the air reach her lungs, and ran, nude as she was, down the street into the blackness.

4

The orchestra collapsed to the sound of a single flute, and the woman on stage sang. Sitting in row K on the far left side of the balcony, Aisha couldn’t see the woman’s face or make out a single word of the foreign language, yet the sound and shape of the singer captured Aisha’s full attention. The woman, dressed in a solemn black dress, stood in the center of the stage moving slightly toward the orchestra, her slow and rhythmical progress disconnected from the emotional restlessness of the sound produced by her body. The harder Aisha tried to decipher the movements of the woman on stage, the more music seemed to exist without source, everywhere in the great faceless hall at the same time. Having no beginning and no end, it dissipated in the air — it was air, and it encompassed Aisha within its own waves and particles. Aisha breathed in and, for a moment, parted with the awareness of self.

5

On her way home from work, Aisha drove by her favorite French bakery only to find the place closed, a handwritten note posted on the door: “We’re closed from July 17 until August 21. We appreciate your business and wish you a pleasant summer.” Aisha stood for a moment in front of the shut door, staring at the white piece of paper with its blue curves of ink.

“I will bake bread myself!” The decision came suddenly.

Aisha drove home, parked in the driveway, and went up the stairs enjoying the tapping sound her heels made against the concrete. She unlocked the front door, picked up the mail that had been pushed through the slot on the door, walked down the hall into the kitchen, slipping out of her shoes on the way and dropped the envelopes and the keys on the little ledge that demarcated the kitchen. Only then did she notice that the house was unusually quiet and empty. No fruit bowl sat on the kitchen table. The spice rack and microwave were gone from the counter by the stove, glassware and all the dishes from behind the glass doors of the cabinets around the sink. The wine rack, toaster oven, and the breadbox were also missing.

Feeling disoriented in the strangely spacious kitchen, Aisha pulled out a chair and sat down in front of the breakfast table. Moving mechanically, she pulled out each of the drawers underneath the counter, one by one. In one of them, she found the glaring absence of her silverware and spatulas, while in the other lay an old, greasy cookbook she had inherited from her grandmother. She flipped the pages until her eyes stopped on a simple French bread recipe. It called for flour and yeast. Sugar, salt, and an egg. Cornmeal and butter to grease the baking sheet. Aisha looked around the kitchen again. It was still empty.

6

At 32, Aisha started to lose weight uncontrollably. She lost 20 pounds in three months, without changing her diet or exercise routine.

“I think I have worms,” she told her friend.

7

Aisha had passed these bushes every day on her morning run down the ocean shore. The blackberry bushes that separated the path from the highway traffic and also provided natural nourishment for the native birds. Like the blackberry bushes that had grown in her grandmother’s garden. The berries were ripe today. Most of them had already fallen to the ground or were eaten by pigeons; the ones that remained were soft and sugary. Aisha stopped to taste one and continued to pick every one she could reach.

“Those might not be the cleanest,” noticed an older gentleman, without breaking his pace as he ran past her.

They were not. But Aisha couldn’t stop. She climbed deeper and deeper into the bushes, thorns piercing her skin. It was good to feel the familiar pain; it was good to taste the velvety skins of the berries, to crunch the seeds between her teeth, to absorb the tangy, flowery juice. Aisha could almost feel the weight of the large wicker basket on her arm, almost hear the loud, coarse voice of her grandmother. “What are you doing there? Fill the basket, not your stomach!”

Aisha discerned that almost-but-never-ever-again quality in every berry and ate more and more until the moment when she could not. She was full. Moving slowly and carefully, she disentangled herself from the branches. She was surprised by the sight of her fingers, painted blue by the juice, and her arms and legs badly scratched and bleeding in several places. It was strange to think that she could hurt herself to the point of bleeding without noticing it.

“Do you need help?” a middle-aged runner asked, stopping in her tracks at the sight of Aisha standing perplexed and disoriented in the middle of the busy path.

“I’ll be alright,” said Aisha, “I’ve just swallowed my childhood.”




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Bio: Olga is a San Francisco based writer. Most recently, her work has appeared in Thema and online in CRIT (Crossing Rivers into Twilight) and Clockwise Cat. She has an MA in Comparative Literature from San Francisco State University, and when she’s not writing fiction, she enjoys contemplating German Drama Theory. 
 

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