The Writer's Eye - 002 - Jan/Feb 2008

Home
CURRENT ISSUE
Mission & Vision
Newsletter Registration
Submissions
2008 Spring Contest
Links
Past Issues
Advertising
Writer's Eye Store
Amazon Store

January / February 2008
Issue 002

Editor's Notes

As I prepare this second issue of The Writer's Eye, I am struck by the central thread of humanity - our frailty, search for meaning and hope - in each of the selected works of art, poetry, and story.

It's clear that we are all in this together, playing with the cards life deals us, and doing the best we can. Arising from our common experiences are unique expressions of the soul.

I hope you enjoy the variety of expressions in this issue. Your comments are always welcome.

Yours truly,

Featured Writer / Artist
Stephen Mead


Stephen Mead is a published artist/writer living in northeastern NY. As an artist he is self-taught, influenced by both surrealism and expressionism.

I first became aware of Stephen's work when he submitted "The Prayer," published in this issue. I was immediately impressed with the variety of textures he employs in his work.

c_smead_dancewithsides.jpg
Click Image for Larger View

According to his bio, "In the early 1990's he was published in several literary magazines, but stopped to pursue visual work. It was in the year 2001 that he began seeking publication again."

I conducted a phone interview with Stephen.

Amber: Why did you stop writing to pursue visual arts?

Stephen: In order to be taken seriously, I thought I needed to choose between the two forms of expression. But, in the end, I couldn't do it. I need to write and express myself on canvas. To just let out what's coming.

It's funny, looking back. I recently came across an illustrated book that I created when I was 17. I've always wanted to combine the two forms of expression.

Amber: What came first for you - the writing or the art?

Stephen: Probably the art. When I was 15 or 16, I took some art classes. Then I took a creative writing class. Then I tried writing novels and found they took a long period of time and attention. I was ultimately drawn back to artwork.

Amber: I notice that you started with pastels. How did your work with other materials begin?

Stephen: Yes. From pastels, I began to paint, then began using watercolor pencils. They gave more control over the fine lines than watercolor paints by themselves. Then I began exploring artistic expression as a child would and started using a variety of media, including found objects.



coverart002_400x400.jpg
Click Image for Larger View


In This Issue

Nonfiction

GHOSTS OF THE LIVING by Diana Carra

FIRST STROKES by Chris Rice

Fiction

JUXTAPOSITION by Z.S. Adani

HOUSE OF THE SUN by William Starr Moake

Poetry

AN EMPTY STAGE by Amy Mackiewicz

THE IRON MEN by Clare Kirwan

A PRAYER by Stephen Mead

DANCE by Stephen Mead

Book Review

LIVING COLOR: A Writer Paints Her World - reviewed by Amber Lea Starfire

 

My pieces become almost 3-dimensional on 2-dimensional surfaces.

Amber: What are you working on now?

Stephen: Im working on a series of 30 images and poetry for A Book of Common Faith. It's an exploration of world religions and cultures, intended to be a celebration of humanity, our search for meaning and a higher power. For faith.

Stephen's writing and artwork have been showcased internationally via the web. Presently, scars.tv has several title pieces of his ebooks archived in their art pages at cc & d magazine. These works incorporate both image and text, as does his ebook "We Are More Than Our Wounds". Photoshows of his piece "Blue Heart Diary" and other poetry/art hybrids can be viewed online.

Links to other work by Stephen Mead

greybar.jpg

Questions or comments? Get in touch with us at:

editor@thewriterseyemagazine.com

© 2007-2008, The Writer's Eye Magazine
All Rights Reserved

 

Support Us by Shopping
at Amazon through this site.
The Writer's Eye receives
4% of your purchase.