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July/August 2009
Issue 011

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Cover art by Joseph Christiani

In This Issue

 

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The Writer's Eye Newsletter

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Fiction
Nonfiction
Poetry
Sundry

THE PAINTING by Joseph Christiana

MONDAY MATINEE DATE by Patricia Nagle

NO MORE NOT LUNCHES FOR EDDIE SOCKO by Mel Bosworth

GHOST STORY by Sandra Maddux-Creech

IN DEFENSE OF CREATIVE WRITING by Rhian Waller

FINDING JENNY by Amber Lea Starfire

A DYING KLEPTOMANIAC GRANDMOTHER PASSES HER CHARACTER FLAWS ON TO THE NEXT GENERATION by Jessica Gleason

BONE SCAN by Katie Metcalfe

FLAPJACKS by Lucien E.G. Spelman

TINY FLAKES by Ruth Schiffmann

PSYCHEDELIA by Shruti Ghanda

A DRY AND QUIET PLACE by Thane Thompson

PREPARING THE EULOGY by Rolli

LISTENING by Christopher Woods

ARTICLES OF INTEREST FOR WRITER/ARTISTS

PUBLISHER'S ORACLE

 



Notes From the Editor

Moments of Truth

In September of 2007, The Writer’s Eye Magazine was born in a flash of inspiration, while pondering the effort of marketing my own work, as an artist and a writer, in two vastly different directions. Why, I wondered, isn’t there a place where both my writing and my art would be valued? The idea of creating such a venue—The Writer’s Eye Magazine—immediately came to mind, and I thought, Why not? Within two months, the magazine was launched, with a commitment to pay each writer/artist for his or her work. I figured I would subsidize the magazine (to the tune of $3,500 in out-of-pocket expenses per year, plus countless hours of love and labor) and find a way for it to support itself later. Later has arrived.

Last week, while preparing the online version of this issue, I came to the realization that I could no longer afford to subsidize the magazine, either financially or from an energy perspective. I love The Writer’s Eye; yet, because of the hours spent reviewing and editing others’ work, my own work has languished. I thought, What am I going to do? Should I shut down the magazine? But my heart was not ready to let it go that easily. I then thought, This is the Internet, right? So why do I hold the magazine to a static publishing timeline of six times per year? Why do I try to hold what is essentially a volunteer effort to some kind of external standard? Why not think of something more creative?

And so, another inspiration was born: From now on, The Writer’s Eye Magazine will be a fluid publishing venue, using an Internet-based publish-on-demand model. Instead of publishing just six times per year, I can publish the poetry, articles, and stories that appeal to me, as they flow in to the submissions e-mailbox. I can publish weekly or whatever works for me personally. After all, it’s not as if I’m being paid, right? In addition, rather than letting my own work take back seat, I will publish some of my own stories and poems, accompanied by my art (usually photography).

The problem of money also needed to be solved. I remain committed to the idea that we artist/writers should be paid for our work, yet my own income at this time is not sufficient for this kind of subsidy. I went through a number of scenarios in my mind, and arrived at the following conclusions:

(1)  This issue of the magazine will be the last issue for which all published stories, poems, and articles are paid. Therefore, all of the writer/artists to whom I’ve made a commitment to publish through the end of the year are published in this issue.

(2)  The magazine will hold an ongoing Writer/Artist of the Month Contest. Entrants will pay a small, $5 entry fee. The winner(s) of the monthly contest will be featured on the home page, their submissions published, and they will be awarded a cash prize. Writer/artists who do not win an award may still have their work published, if they so choose, as a regular, unpaid submission.

(3)  For those writer/artists who do not wish to participate in the contest and/or pay an entry fee, they may still submit their work and have it published, without pay. I will always do my best to help promote their work by providing links to their websites, bios, and contact information.

(4)  I will continue to expand The Writer’s Eye Store and will include specials that may be purchased with a small percentage to help defray expenses of The Writer’s Eye.

Someday, I hope that the magazine will achieve a level of financial independence that will allow me once again to pay all published artist/writers for their work.

In the meantime, we are off and running on a new adventure together. I would love to hear from you—readers, writers, and artists—about these changes. I am always open to new ideas, so if you have creative solutions that will help support the magazine, and therefore the incredibly wonderful and creative work that is represented here, please email me. I would like to hear about them.

Questions or comments? Get in touch with us at:

editor@thewriterseyemagazine.com

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